VFX
On-set supervision
CG expertise
On-set supervision
CG expertise
Like everything in film, VFX is conceived in the script, built on set, and brought to life in post-production.
Let me guide you through every stage of this process, leveraging my expertise in on-set supervision and my extensive knowledge of industry realities.
2018 - 2022
I began my journey in 3D animation, driven by a deeply-rooted sense of rhythm and performance. Today, these foundations still define my specialized eye for motion.
With a desire to master the craft as a whole, I expanded my expertise to the entire 3D pipeline.
L’empereur de Paris | Jumbo | Soeurs d’Armes | The Spy | All Inclusive | Ibiza | Mon Inconnue | La prochaine fois je viserai le coeur | Osmosis | Vivarium | La Dernière Vague | C’est la vie | Atlantic Crossing | La terre et le Sang | The East | J’accuse | OVNI(s) s1 & s2 | Hinterland | Une sirène à Paris | Sentinelle | Sans Soleil | Kaamelott : Premier Volet | Unseen | 8 Rue de l’Humanité | Clara Sola | La corde | Balle perdue 2 | Astérix et Obélix : L’empire du Milieu | Deep Fear | Sea Sparkle | Loin du périph
2022 - 2024
My career evolved toward leadership through a focus on strategic planning and workflow optimization.
As Head of CG, I handled a wide range of responsibilities: bidding, team and resource management, project scheduling, and cross-departmental coordination.
Balle Perdue 3 | Kingdom Exodus | The Pod Generation | La vie pour de Vrai | Patanegra | Marie-Antoinette | Estonia | Night in Paradise | Tigres et Hyènes | The Towers | Saint-Ex | Maison de retraite 2 | Largo Winch : Le prix de l’argent | Families Like Ours | Les Infaillibles | Bonnard, Pierre et Marthe | Vincent doit mourir | Toutes pour une | Survivre | The Garden of Earthly Delights | Le salaire de la peur | Samia | The Great Ambition | Zorro | Mercato | Ad Vitam | We Come In Peace
2023 - Present
The film set is the perfect intersection for my expertise: combining a comprehensive understanding of VFX with a firm belief that storytelling is king.
While heavy CG is my comfort zone, I never lose sight of budget realities and script intent. My goal is to avoid technical tunnel vision. Instead, I speak the director's language to find creative, pragmatic solutions.
Endless Night | The Pod Generation | Les Infaillibles | Toutes pour une | Tower stories | Estonia | Hunting with Tigers | L’enfant Bélier | Samia | Borges and Me | Hadara | We Come In Peace | La Comtesse de Monte-Cristo